Friday Playlist: We were much too young.

By | August 27, 2010

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It’s Friday, and welcome to your playlist! I’m trying to give these playlists little themes. I suppose some of them are more obvious than others.

1. “Beetlebum” // Blur. I was positively passionate about Britpop in my early twenties — this was the height of Oasis’ popularity, after all. And then Damon Albarn started listening to Pavement and we got Blur’s self-titled fifth album. (Some people blame Graham Coxon for this, but I blame Stephen Malkmus.) At the time, it was a major departure, and for about a week I hated it. Until I started listening to it. “Beetlebum” was the song that kept me coming back to give it another chance.
2. “Phenomena” // Yeah Yeah Yeahs. I was not a huge fan of YYYs first album — like my old complaint with The Muffs (remember The Muffs?), I thought they took too many pefectly good songs and ruined them with tuneless screaming. I also think “Maps” is the most unduly-praised and overrated song of the aughts. Thus, I only came to appreciate them with their mostly-scream-free second album, off of which “Phenomena” is taken.
3. “Do I Move You” // Nina Simone. Nina Simone is one of my idols — and not just musically, but politically and intellectually as well.
4. “Addicted to Love” // Florence and the Machine. Is my love of cover songs overwhelmingly apparent yet? I have a particular soft spot for covers of culturally-oversaturated songs, that make efforts to sound very different from the original. Satisfying!
5. “Koop Island Blues” // Koop. Fans of So You Think You Dance may recognize this one from a couple seasons back. I already owned it, on one of the Mystery Albums that magically appear on my iPod without my having any idea whatsoever where they came from. Koop make shifty, velvety eletcro-jazz that sounds like it came off decades-old vinyl. Highly recommended.


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Huge, Episode 9: Standing here on this frozen lake.

By | August 24, 2010

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It probably comes as a surprise to no one, at this point, that I like the fat boys. I also like the fat girls, but I am inclined to think that the sexualization of fat men’s (or male-identified) bodies tends to receive less attention than it does with the females. This is undoubtedly because women are under far greater and more specific cultural pressure to be sexually appealing than men are, and thus the sexualization of fat women’s bodies is a heated and popular topic of conversation.

However, what is occasionally lost in these discussions is any recognition at all of a) what pressure does exist for men to be attractive, and b) the fact that men, unlike women, tend not to create spaces in which they can talk honestly about their hypothetical feelings of inadequacy. The fact that women often bond over diets and aspirational beauty culture is problematic, for sure, but women do have the option to talk about these pressures with one another in a frank way. Worrying about your appearance, most specifically your size, is a woman’s problem, and not something your typical red-blooded straight cisgendered man is allowed to openly discuss, at least not without having his sexuality challenged by any homophobes in the room. As I recently observed on Fatcast, fat’s tendency is to fuck with gender on a equal-opportunity scale. Culturally-speaking, fatness exerts a masculinizing (or defeminizing) force on women’s bodies, and a feminizing (or emasculating) force on men’s bodies, and if you identify as falling outside the convenient gender binary, well, then it tends to strip you of any sexual identity at all, so far as mainstream recognition is concerned. No matter how you identify and present yourself, gender-wise, fatness is going to fuck with it.

In the course of these recaps, I’ve focused a lot of attention on sexualizing and even objectifying (in a good-natured way) the male bodies. And yes, I do think a certain degree of friendly objectification can be positive if it helps us to see our bodies — no matter what we look like — as sexified vessels of awesomeness. A goodly portion of my urge to stubbornly conceptualize the sexy fat man is because, indeed, I really do find them attractive. Hell to the yeah. But that’s not the only reason: the secondary impetus for my relentless demands for boys’-cabin pillowfights and less clothing is because framing fat men’s bodies in these terms is a process of queering mainstream standards of sexual attractiveness. Here I use “queering” not to mean “making it gay” (although that’s fun too) but to mean taking sexual convention and fucking it up, turning it inside out, and challenging its assumptions. I’m not queering the individuals or even their bodies — what I’m queering is how we read bodies as sexually attractive, and trying to bring a sexualized, semi-objectified (in a pleasant way, I promise!) fat male body into the light of day. Being attracted to fat bodies specifically, if not exclusively, is a queer-ish way of seeing the world, and it’s not one we get to see represented very often.

I’m not arguing that everyone universally has to find fat people attractive. That idea, no matter who’s discussing it, tends to draw the accusation that fat people who want to talk about beauty standards are only interested in being validated, told, “You’re attractive too.” Personally, I don’t give a shit about being found attractive by random strangers; I really never have, which explains many of my sartorial choices over the years. But furthermore: you get around in this world for long enough and you come to understand that sex appeal is utterly unique to the individual, fascist beauty standards notwithstanding, and that there are loads of people out there attracted to all kinds of bodies — just some of them are more ashamed and silent than others, because what pushes their buttons isn’t in line with what is considered “normal” or acceptable. Thus, instead of arguing “WE’RE HOT, DAMN IT, AND YOU SHOULD AGREE,” I would rather argue that the concept of finding fat bodies attractive be recognized and even respected as a valid and real possibility, without being fetishized, pathologized, or otherwise made freakish or secret or embarrassing.

Of course, when I explain it like this, it’s like the least-sexy thing ever.

All of this evolves from the fact that this past Sunday, Ari Stidham — the actor who plays the highly-crushable Ian — turned eighteen, and a whole heaping helping of you, my adored chubbalos, let me know it, on Twitter and Facebook and even via email. Which is hilarious and brilliant. There have been many impassioned votes in favor of dirty-fying the recaps (even from my imaginary teenage boyfriend), but I’m inclined to think they’re just dirty enough for our purposes. I should leave something to your filthy imaginations, my dears. I’d hate to be responsible for y’all getting lazy.

Previously: A game of truth or dare ended badly. I know, I didn’t see that coming either! Also, Dr. Gina banged the Tennis Douchebag King in the back of his truck, and Amber and Will reluctantly bonded. With puke.

Will and Salty Dad are shooting hoops on the empty field in the morning. Will says she’s looking forward to parents’ weekend, mostly so she can rip hers some shiny new assholes. Salty Dad: “Well, family time is always special.” OH SALTY DAD. You are a treasure. I also love how Will is making baskets even though she is of a wee height, in flagrant violation of the conventional wisdom about who can succeed at basketball.

Later, in the girls’ cabin, Sierra is in the bathroom, wailing hysterically. Poppy asks if anyone said anything to her, and the girls all say no, while Will says, “She’s never not crying.” Poppy tries to remind the girls that living in close quarters means there are going to be things that “rankle” people, be it fights over who gets the shower first, to someone walking around topless — this with a glance at Will, who says, “Come on, they’re just boobs, people.” Chloe assures her they don’t want to see them. Uh, is there any room for me in that cabin? Caitlin’s bed is still unoccupied, right?

Poppy sends Carter, Chloe, and Mystery Girl Camper — my apologies dear, I don’t know your character’s name — to fetch Sierra. Man, occasionally I’m amazed at how epically tall Carter (Ashley Fink) is compared to the other girls. Body diversity for the fucking win. When they’re gone, Poppy tells Becca that she’ll be her “make-believe mom” for the weekend, “like Wendy in Peter Pan!” Becca seems unthrilled. I guess the kids whose parents can’t make it get Poppy as a consolation prize.

Sharing circle! Dr. Gina wants to talk about parents’ weekend. Evidently having their parentals visit means they have the option to leave the confines of Camp Victory and eat out, and Dr. Gina asks them to make “healthy choices”. Then she asks who’s excited about seeing their folks. Will, Chloe, and Trent are! Ian is not. His parents fight constantly, so being around them is kinda stressful for him. “At home, at least, there’s like, Facebook.” Oh, if Ian were but a real boy I would totally Facebook-stalk him. And then Dr. Gina supplies: “Or, cake.” Hell, why not both? I know I personally deal with stress not by playing Rock Band or going to the gym, but by eating cake whilst using Facebook. One of you needs to create an “Eating cake whilst using Facebook” fan page. I would totally click the “like” button on that.

Outed!

Dr. Gina asks Trent what he’s like totally stoked to do with his parents, brah, and Trent’s all, “Introducing my dad to my friends. It’ll be like tooootally bitchin’.” I lied about that last part. Trent’s cadence cracks my shit up, to the extent that I did an impersonation of it on one of the Fatcasts, which Marianne found very funny. Chloe smiles to herself at this, no doubt thinking he means her. Alistair looks forward to “being himself.” Dante wants to hug his mom. No, seriously. That’s so sweet. Girls, pay attention to how a boy treats his mother, or other female family members. It says a lot. Ian doubts Dante’s sincerity and they have a brief shouting match before Dr. Gina puts a lid on that shit.

Returning to Alistair’s comment, Dr. Gina asks Chloe if she feels the same way. “I know you two aren’t the same person, but since you are from the same family…” Where the hell did Dr. Gina get her PhD? The fifth moon of the planet Blunderdonia? Chloe’s look of mute shock says it all. Both Ian and Dante are all WHAAAAAT and Amber looks at Chloe with bewilderment, while Chloe blurts, “Yeah, so?” Dr. Gina abruptly ends the sharing circle.

As the campers disperse, Chloe approaches Alistair and asks to walk to the pool together. Is the guilt getting to her? Alistair’s not interested, and he leaves with Becca. Then, Dr. Gina asks Will to stay behind for a moment. Apparently her parents have emailed their regrets, but they won’t be there this weekend. But they need new assholes! And Will was going to create them! Will seethes and asks, in monotone, if there’s anything else. They’ve sent her a package. Maybe the package will be filled with unconditional love and support her parents have withheld! Yeah, I don’t think so either.

Pool time! Man, I wish we had a Boston chapter of Chunky Dunk but I don’t want to organize it. Dante swims past Chloe and uses it as an excuse to ask her to apologize to her brother for him. She tells Dante to do it himself.

Amber gets in the pool and joins Chloe, saying, “Something’s wrong with me.” What’s that, dear? “I’m just so stupid, I didn’t realize Alistair was your brother.” Here’s something I don’t miss about being a teenager: the egocentric conviction that everything is about you and your insecurities. Amber assumes the failure is hers, and not that Chloe was actively avoiding any association with her brother. She also didn’t know that Piznarski’s name is Dante. Chloe assures her, “Nobody did.” I did! Chloe’s worried that Amber’s mad at her for something, but Amber says, “I’m just weird. I’m just a big stupid weirdo.”

Elsewhere in the pool, Will is ranting about her parents’ impending absence. She had planned the installation of their new assholes so meticulously! How dare they not show up! Will: “I’m just a rage-filled donut right now!” Mmm. Rage-filled donut.

Will says Poppy’s going to be worried about her, and tells Becca they should stick together over the weekend. Maybe they can do the rune thing, finally! Becca gives her an icy “yeah, maybe” and swims away. Will’s face registers a tiny flicker of confusion.

In Dr. Gina’s office, Salty Dad is just hanging up the phone as Dr. Gina comes in. He tells her Wayne stopped by, and that he’s apparently been trying to call her. She knows. She was gonna call him back, but her grandmother dropped acid, freaked out, and hijacked a school bus full of penguins. The subject changes to the approaching parentals, and Dr. Gina says Will’s parents have just blown it off, which she calls “sickeningly selfish.” She also thinks it’s “weird” that Chloe and Alistair have been keeping their sibling status a secret. Salty Dad is unimpressed: “Better get yourself some curtains for that glass house.” Salty Dad accuses Dr. Gina of keeping him a secret — his being her dad, anyway. Oooh, burn.

Bacon! It's funny!

In the common room that evening, Love Handles is on. Y’all, I wish Love Handles were a real show that took itself 100% seriously. The possibilities for epic camp are astounding. Our Luke surrogate introduces the challenge by saying, “Even though I’m a dot-com millionaire…” HAAAAAA. The fake contestants are to carry a plate of bacon to him without spilling it. Will asks, “Why is pork so funny?” I think bacon in particular is funny because it’s a food that we as a culture have decided is basically without nutritional merit. It’s fat and salt held together with a bit of meat. Chloe wants Will to shut up. One of the fake contestants confessionalizes: “So, you know how bacon’s greasy?” Will: “I used to, before I became a bacon nun!” Even Becca smiles over her book. The fake show goes to a fake commercial featuring a fake actress talking about how awesome it is to go to the gym all the time. The gym is called Core and it will “change you forever.” Will’s face falls and she looks almost morose. The room is silent as Amber looks down and tugs her shirt away from her stomach. Becca tries to keep up the critical commentary: “I live in a patriarchal society that assigns women merit based on their looks. That’s why I live.. Core.” She turns to Will and smiles, but Will just stares silently at the TV, looking more and more despondent.

Some time after, Will stands at the mail window to pick up the package her parents have sent. In it, there is a postcard with a picture of the Eiffel Tower, on which is written, “Can’t wait to see you in this! Love, Mom & Dad” The “this” is a pink fleece hoodie with the “Core” logo embroidered on it. In the source material for Huge, Will’s parents owned a chain of high-end health clubs, so this was not a surprise for me, but Will’s obvious wavering between sadness and anger is heartbreaking.

The commercials feature an ad for the “Lysol No Touch Hand Soap System”, a gadget that uses a motion sensor to squirt soap in your hand. The promo text reads: “Never touch a germy soap pump again!” I find this hysterical for some reason. If you’re afraid of your soap pump, wouldn’t you also be afraid of touching the faucet? THE FILTH THE FILTH IT IS EVERYWHERE.

And the day has come: the parentals are arriving. I think I spy one same-sex couple so far. Some parentals are fat, some are not. This whole thing is making me EXTREMELY NERVOUS. Ian, too, apparently, as he fidgets beside Will, looking for his own folks. He doesn’t want to inflict his parents on anyone, apparently, because just being around them is a constant source of tension. Poor Ian: “They’ll argue about anything! Anything! This shirt!” referencing the plain beige t-shirt he has on.* Will: “That shirt is pretty polarizing.” Finally, they arrive, and Ian crosses the field to collect a two-parent hug, leaving Will on her own.

Amber is also on her own, looking around anxiously for her mom. Chloe comes over to talk, when she spots Trent standing with his dad — who is tall and athletic and very familiar, though I can’t place him — and pregnant stepmom across the field. Trent sees her as well, and smiles broadly, which his dad picks up on. He wants to guess which girl Trent likes, and guesses Amber, to which Trent says, “Well, actually–” but his dad cuts him off with such conviction that Trent doesn’t correct him. When stepmom tries to intervene, Trent’s Dad asserts, “I happen to know this guy really well. Am I right?” Awkward (DRINK!). Trent, not wanting to let his father down, nods unenthusiastically, which gets him put in a playful headlock.

Chloe, well out of earshot but able to see the trio, catches Trent’s attention and gestures to ask if she should come over to be introduced. Trent first pretends not to understand, and then turns his back to her. Burn. Amber, clueless as ever, is fixated on her no-show mom, and says she’s going back to the cabin. Chloe stands alone, watching Trent and his parents, verging on tears.

Elsewhere on the parental-meeting ground, Becca is in the midst of talking shit about Will to Alistair — she thought they were friends! — when Will comes over and asks if Becca wants to shoot some hoops. Becca quietly says no, refusing to look at Will. Will is confused, aware that something’s wrong but totally oblivious to what it might be. After a few awkward (DRINK!) moments of silence, she leaves. Becca is all, SEE? SEE? Apparently she’s mad that Will wants to hang out now that her parents aren’t coming. On the one hand, I think Becca’s entitled to feel a little taken for granted by Will, but on the other, Will wasn’t exactly looking forward to having a splendid time with her folks, leaving Becca behind, but was rather hell bent on reaming them out and forcing them to leave.

Alistair and Chloe’s parents have arrived, and Chloe gets to them first. Alistair, still chatting with Becca, is in no hurry, and so they get a chance to survey him from afar. His mom says, “He has definitely slimmed down,” while his dad argues, “He looks the same to me.” They call him and Becca over — do remember that Becca and Chloe were BFFs last year, so she’s met Chloe’s parentals before.

Dante and his mom are sitting together, and she tells him how good he looks. “How bad did I look before?” Dante inquires. His mom assures him she didn’t mean it like that. See, this is the problem with our habit of telling someone they “look good” when what we really mean is that it is good to see them. Mom catches Dante watching Chloe and asks if she’s a girl he likes. He says no, and tells her not to ask questions like that. She agrees sheepishly.

Chloe is getting her folks some lemonade, and so is Trent. As she pours, she says, “Trent?” inquiringly, uncertainly, almost pleadingly. Then she says, “Hi,” half to him, half to his family, to which Trent responds — awkwardly (DRINK!) — “Oh, hi,” and then promptly turns away from her again, saying to his stepmom, “Here’s your drink,” ostentatiously neglecting to introduce them. Chloe, wounded, walks away. Damn. Girlfriend is going to need some aloe to soothe all the mad burns she’s getting in this episode thus far.

Ian’s parents are telling him a charming story about almost running out of gas on their way there, and they are not fighting at all. Ian seems to be waiting for a bomb to go off, but his parentals are cheerful and gracious with each other.

For the record: this is the point at which I began to suspect what would ultimately come of this subplot. Just putting that out there.

Alistair’s dad wants to know what sports he’s playing. Becca volunteers that he’s been playing softball, and that he’s good at it. Alistair says he’s enjoying yoga. Mom thinks this is wonderful, but dad has to comment, “Yoga’s not a sport.” Mom asks Becca if her parents are there, and Becca says no. Mom then asks after her grandmother, who apparently came to visit during Parents’ Weekend last year. No, she couldn’t come. Well, then Becca should join them for dinner. Mom then makes a comment about Becca and Alistair “finding each other” and oh, she thinks they’re a couple. Alistair is totally willing to go with this, and Becca begins her new role as Alistair’s beard.

Awkwaaaard.

In the girls’ cabin, Amber sits worrying about whether her mom is going to turn up. Carter comes in with her rail-thin big sister. Finally Amber’s mom comes in, like a massive whirlwind of annoyingness. OMG! OMG! I’m here! Wow! Amber’s so thin! She shouldn’t get too thin! No, that’s a joke! Wait, Carter’s sister is really thin! Why is she here? Oh she’s visiting! Oh okay! Carter’s sister looks deeply self-conscious when called out like this.

Amber shows her mom her bunk, and introduces Carter and — halfheartedly — Will, who is lying in her bunk with her headphones on. Amber’s mom looks at Will and whispers, “Is she the one we hate?” Amber flails for a moment and corrects her, “We don’t — really hate her.” Mom: “Oh, so she IS the one.” Ugh. Amber’s mom wants to go to the yoga demonstration, and in her rambling mentions that on the drive up, she thought “Indigo’s car” was going to blow up. Will asks, “You know someone named Indigo?” Amber’s mom explains, rather haughtily for my taste, “My sister’s name is Indigo, my name is Teal, and I named my baby Amber. I am colorful.”

At one point does a person pass over the threshold from charmingly wacky to dementedly irritating? I think we’re there already. In the bathroom, Amber’s mom loudly announces, “What the hell, I’ve got my period! I’m supposed to be in menopause.” Poppy volunteers to get a tampon but Amber quietly tells her it has to be a pad. Her mom pokes her head out of the bathroom: “My uterus is tipped, for real,” gesturing, “like a teeter-totter.”

Will has stormed outside to escape the crazy; I don’t blame her, man. She’s sitting on the cabin steps, still listening to her headphones, as Salty Dad walks by with a basket of tomatoes. He enlists her help with dinner, and Will goes along.

Inside the boys’ cabin, Trent and his dad are standing and not talking. Of course, it is awkward (DRINK!). I’m assuming pregnant stepmom is in the bathroom. At this point I realize that the whole parents’-weekend event is a fucking misery. This is terrible. Everything is terrible! You’re terrible, Muriel. Dad asks if Trent’s been “working out,” which, duh, but Trent says he’s been doing “other things” too. THESE THINGS DO NOT INCLUDE HAVING SEMINUDE PILLOWFIGHTS WITH THE OTHER BOYS, I MUST NOTE. Pregnant stepmom comes out of the bathroom and Trent’s dad is all are you okay? Is everything okay? Are you sure? Do you need to sit down? Go back to the hotel? Ugh, he’s one of those expectant fathers. Ian comes in, pointedly telling his parents, “I’ll be right out!” but they come inside anyway. When Trent’s dad hears Ian’s name, he says, “This is the famous Ian? We’ve heard a lot about you.” Ian: “You have?” Ian’s mom: “You have?” Ha. Trent proceeds to hijack Ian’s parents to show them the camp garden.

The Famous Ian

In the kitchen, Salty Dad is educating Will on tomatoes. Dr. Gina, walking by in the background, stops to eavesdrop as Salty Dad instructs Will on knife technique, and when she says she’s never cooked anything, as he supportively tells her she’s “a natural”. Aww. Of course Dr. Gina’s phone beeps at the precise wrong moment, but she avoids discovery by ducking and beating it out of there. Turns out it’s a text from Jonathan.

In the yoga demonstration, George leads the class as the parents and kids follow along together. Amber’s mom is only watching, but is involved enough to stage-whisper “Good for you!” to Chloe and Alistair’s wheelchair-using mom as she participates. Oh. My. God. Chloe’s mom just ignores her. Amber’s mom goes on to explain that she’d try it too, except she has cramps, and then begins to tell of her tipped uterus again, while Amber loudly shushes her. George invites Amber’s mom to join in, and she does so, whispering to Amber how cute George is. Amber’s reached her limit and wants to leave. Now. She covers by telling her mom she wants to spend time alone together.

They get back to the girls’ cabin, which Amber’s mom calls “dirty”, then says she’s just kidding, but no, it really is dirty and they should clean it, for what the camp costs. Amber says she wants to hear how her mom is doing. “You’re so funny,” says mom. “You’re gone, and I’m stuck with my bitch of a sister. How do you think I’m doing?” Damn, y’all, if I had to live with this I’d probably save up for fat camp too. Hell, maybe boarding school. Mom has no filter at all. She then tells Amber to ignore her, she just misses her daughter. Then she presents Amber with a shoebox. Amber’s excited until she discovers that it contains cookies. Uh oh.

Dante’s mom comes into the boys’ cabin to use the bathroom, and finds Alistair knitting alone. They bond over their shared passion for knitting, until Dante comes in and mom goes to attend to nature’s call. Alistair puts his knitting on his bunk and leaves without speaking a word to Dante. Once he’s gone, Dante gets his journal and pulls out a page on which something is already written. He hides it under Alistair’s knitting.

In the girls’ cabin, Amber pulls her mom outside, explaining that she has to ditch the cookies, because she’ll get in trouble if she’s caught with them. Her mom doesn’t get it, and tells Amber just not to tell anyone. Finally Amber lies and says she can keep them in the camp kitchen. Instead, she takes the cookie-shoebox to the laundry room and stashes it behind a washer.

Alistair and Chloe are headed out to dinner with their parents. Chloe asks Alistair if they can just pretend everything’s fine while their folks are there, and then after that he can go back to hating her. Alistair refuses to pretend, just as Becca approaches. “Really?” asks Chloe, referring to his fake girlfriend.

In the mess hall, Amber’s mom is telling the assembled table that this place is awfully “dirty” to cost so much, but Amber wanted to spend her own money on it. Amber, in the meantime, is sitting, back rigid, intently chewing and staring at the ceiling, seemingly wishing she were anywhere else in the world but here with her mom. “Why are you chewing like that?” asks Amber’s mom. “That’s how she always chews,” says Dante, helpfully.

Amber goes to her safe place, the land of Epic Chewing.

Ian’s parents have a perfectly reasonable and friendly conversation about where to sit, and once they’ve walked off, Ian stands, open-mouthed, while a bemused Will says wryly, “Wow, I’m sorry I had to see that.” Ian says his parents have been behaving like this all day. Will suggests maybe they’ve gotten into couples counseling, which Ian says is impossible. Call me cynical, but my money is on a divorce announcement later in this episode.

Chloe and Alistair and their parents are waiting for a table at a restaurant when Trent and his parents come in. Trent introduces them as “Alistair, we’re in the same cabin, this is Becca, and this is Chloe… his… sister.” I am surprised that particular burn did not set off the building’s smoke alarms. Chloe, at least, is reaching the point where crying or beating the shit out of Trent are equally-possible options.

Of course, the families must now eat together, to maximize the awkwardness (DRINK!). Alistair is concerned by the portion sizes. Trent’s dad and stepmom agree to split a plate, which gives Alistair the idea to suggest the same to Becca. Trent asks Chloe if she wants to split, and Chloe’s like, “Fuck yoooou! (Ooo, ooo, ooo!)” Not really, but the sentiment is there. Instead she decides on ordering, “Fettucine alfredo with extra sauce, extra cheese, and a side of fried clams.” Her parents exchange looks, her mom concerned, her dad… almost angry. Now ain’t that some shit? (Ain’t that some shit!)

Happy family dinner times!

As a means of changing the subject, Chloe’s mom asks Becca why her grandmother didn’t come this year. Becca pauses for a split second before responding, as bluntly as possible, “She died.” Chloe’s mom looks stricken. Even Chloe is visibly moved, from which we can assume that Becca was probably being raised by her grandmother, or was at least very close to her. Naturally, this revelation brings the already-morose tenor of the dinner party to an absolute low.

Back at camp, Dr. Gina is making an announcement in the crowded mess hall — which turns out to be that she is grateful to have her own father with her this year. She turns and asks Salty Dad if he has anything to say, and Salty Dad gives us a thoughtful, “No seconds,” and giving Dr. Gina the most affectionate look we’ve seen yet. The campers smile. Aww.

After dinner, Ian and his parents are walking when his dad suggests they sit down for a bit. No sooner have their asses hit the benches of the picnic table does Ian’s mom begin, “We love you, so much.” Oh shit, they really are getting divorced. Damn this show. Ian asks if one of them is dying. Nope. Are they in couples therapy? Yes! And it’s helped. Then the hammer falls. “It’s helped us realize that we need to be apart.” To make it extra extra clear, Ian’s dad states definitively, “We’re getting divorced.” Ian tries to process it, tries to be calm and understanding for his parents, he even smiles.

It’s only alone in the laundry room later that he throws his basket of dirty clothes down and cries. I had trouble watching this scene. Divorce, they say, is emotionally harder on a kid than the death of a parent, and I fucking believe it. They also say that divorce is hardest on girls when they’re younger and boys when they’re older. I was a good eight years younger than Ian, but this scene still gave me a familiar sinking feeling, and I have another of my constant urges to crawl inside this story and give a character a hug, to promise it really will be okay.

A little predictably, Ian finds Amber’s hidden cookies. I’m not really loving this cookie subplot, I’ve got to say. He opens the bag and inhales deeply –

– and delivers them directly to Dr. Gina.

Chloe, Alistair, and Becca are returning from dinner and piling out of the parentals’ minivan. As their parents drive away, Chloe says in Alistair’s general direction: “I feel sick. I should have split with Trent.” Trent? Who’s Trent? Oh, you mean the guy who refuses to acknowledge his relationship with you to his parents? Alistair and Becca ignore Chloe and walk off together. Chloe: “Alistair? When you see Trent, can you tell him I said that?” Alistair: “Tell him yourself.”

Alistair walks Becca back to her cabin, remarking on how “date-y” it is. Becca tells him he’ll make a good boyfriend for somebody. Becca “can’t imagine ever going on a date in reality” and Alistair tells her to think of it as LARPing. Becca: “I cast level 9 flirtation!” But then she revises: “What am I saying? I’m level 9 awkwardness.” (Does it count if “awkward” is used in a quote? I say yes. DRINK!) Outside her cabin, Alistair asks if Becca knew he was Chloe’s twin when they met, and Becca says she guessed it based on his uncommon name. She never brought it up because she didn’t want to talk about it — her hurt from being cast aside as Chloe’s BFF is too fresh. Alistair rightly tells Becca she shouldn’t waste energy worrying about what Chloe thinks. Becca should be like, “Fuck yoooou! (Ooo, ooo, ooo!)” Alistair kisses Becca’s hand and says good night, while Becca lingers, ostensibly trying to work out whether she has a crush on Alistair or not.

Inside the girls’ cabin, Amber’s mom — Teal — continues to be the most annoying force in the known universe. When Poppy tells her the evening bell has sounded and she has to go, Amber’s mom asks, “Can’t I stay the night? Please? Pippy?” Poor Poppy tries to explain it’s not allowed, when Teal points at Carter’s sister and says, “She’s staying.” Carter’s sister hides behind her magazine as much as she can, as Teal is told that Carter’s sister got permission in advance. Well, Teal would have too, if someone had told her! Poppy doesn’t budge until Teal is all feigned resignation and adept manipulation and, “oh, ignore me, I’ll just sleep in the car.” Well, we know where Amber is learning this shit. Poppy relents and before she even finishes the sentence, Teal is all YAAAAY! because that is what she expected all along.

Amber bolts for the laundry room under pretense of having left something in the washer. She finds the cookies have vanished. What now?

Inside Dr. Gina’s office, she’s staring at the bag of cookies. She gets up and sticks them in a filing cabinet. My god y’all, they’re just cookies. They’re not heroin! They’re not plutonium! They’re not the fucking ebola virus! They’re cookies. I am a little enraged by the cookiephobia here. Dr. Gina steps back and stares at the cookie-infested filing cabinet when she gets a text. Jonathan is still trying to booty-call her. Fuck yoooooou. (Ooo, ooo, ooo!) Actually she just texts him back, “No.” Then there’s a knock at the door. It’s Wayne! With a basket of tomatoes from his garden. Damn, he gardens too? Wayne is a catch. Apparently Salty Dad called and asked him to bring some tomatoes for parents’ weekend. Oh, that meddling Salty Dad!

Wayne and his tomatoes.

Dr. Gina can’t keep her eyes off the filing cabinet, stuffed as it is with cookie-based explosives. She asks Wayne to get the cookies and take them home. THEY’RE! JUST! COOKIEEEEES! I get that Dr. Gina has an eating disorder, and if she were the only one reacting with abject terror to the cookie-presence, I’d probably be more understanding here, but I’m irked that nobody is being critical of this whole OH GOD WON’T SOMEBODY THINK OF THE COOKIES madness. Wayne agrees, and decides this is also a good time to make out. All right! I bet Wayne is a good kisser.

Back in the girls’ cabin, Amber is laying out a sleeping bag on the floor when her mom marches over and asks if she should just leave. She then drags Amber outside and accuses her of not wanting her there. Mom is a total co-dependent freak show. Amber apologizes — for what, we don’t know — and then so does her mom: “I keep saying stupid things, and I’m just a big stupid weirdo.” Man, I still don’t like Amber, but she certainly has my condolences. Mom goes back on the defensive saying Amber “doesn’t know what it’s been like” and demanding that Amber tell her she wants her to stay.

Once inside, Amber seeks out Will, who’s sitting in the shower — the water’s not on — listening to her headphones and drawing on the postcard from her parents. “You still have that food, right?” Amber means Will’s stash from the first week. Will cautiously says yes, it’s buried in the woods. Amber “really needs some.” And thus when everyone is asleep, Will and Amber sneak out, flashlights in hand, to find and dig up Will’s contraband, bringing us full circle.

Almost. Because we get a “…to be continued.”

Next week: This preview trailer actually made me say OH NOES! aloud. It seems Ian and Amber share an intimate moment and I predict OUTRAGE — and possibly the gathering of pitchforks and torches and an angry mob — amongst Will/Ian shippers, which seems to be happening already on the Huge Facebook page.

* Incidentally, remember Ian’s giant fork t-shirt from the Talent Night episode? I do, because I found it hilarious. You can get your own — up to a men’s 3XL — at this Etsy shop.

Friday Playlist: All Right, Already

By | August 23, 2010

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NB: Right, so, I wrote this for Friday and then completely forgot to post it.

Okay, one more week with Playlist.com! I still haven’t had time to play with Grooveshark, darn it. For my international readers: evidently the licensing issue is going to be a problem no matter what service I use, and as I said before I am reluctant to host tracks myself and risk the wrath of the RIAA. I’m bummed about it, but unless anyone else has a new suggestion, I’m at a loss here.

1. “Doing the Unstuck” // The Cure. “It’s a perfect day for letting go — for setting fire to bridges, boats, and other dreary worlds you know — let’s get happy.” Anytime anyone disparages The Cure as uniformly depressing, I play them this song. It also transports me, without fail, to my sophomore year of high school.
2. “Float On” // Modest Mouse. I am not one of these old-school Modest Mouse fans. Indeed, my lack of radio exposure means I had never even heard them prior to “Float On” appearing on Rock Band, a game which has introduced me to many a pop song that otherwise would have slipped between the cracks of my awareness. I’m still not a Modest Mouse fan — I bought the album from which this track is taken years ago, but ridiculously, have only listened to it maybe once all the way through — but I still really love this song. (Aside to my dad, who really digs these playlists: lyrics!)
3. “Dream a Little Dream of Me” // The Mamas and the Papas. This is, in my humble opinion, one of the most epically underrated pop songs of all time. OF ALL TIME. Magical.
4. “One two three four” // Feist. Speaking of magical. This was the song that finally got me on the Leslie Feist bandwagon, my suspicion is that the horn section is what did it. I am oddly picky about my folksy artists — the ones I love (Suzanne Vega, Robyn Hitchcock) I love tons, but it takes something special to get me on side. This song, and her collaboration with Kings of Convenience, were sufficient.
5. “Extraordinary Machine” // Fiona Apple. “If there was a better way to go then it would find me / I can’t help it, the road just rolls out behind me / Be kind to me, or treat me mean / I’ll make the most of it, I’m an extraordinary machine.” Enough said.


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ReBlog: It was gnomes.

By | August 19, 2010

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See the menace in those beady little gnomish eyes? I am having another slow blogging week, and thus I am returning to the well and revisiting/reblogging another old post.

The “gnomes” story reproduced below was just written this past February, but is much beloved, both by me and evidently by many of you, if the emails I get about it — three in the past week alone! — are any indication. It began with a question on my now-practically-abandoned Formspring page (I do want to get back to it, it just became overwhelming!), and here I must use the word “question” as a vague shadow of its fuller meaning, since the inquirer is clearly less interested in my thoughtful response than in trying to provoke an emotional reaction simply by the asking. Lately, we’ve had the misfortune to witness this sort of fat-baiting writ large, and I never cease to be fascinated by the way in which so many of these attacks — if you can call them attacks — rely not on acerbic wit or creative insults, but instead nearly all of their intended cruelty depends upon an assumed negative reaction to the word “fat”. It is enough, in most respectable quarters, for this word to be spat upon someone like a disease; fat is such a powerful word, in fact, that many believe it needs no further context in order to efficiently destroy and silence a person. How else can we explain “insults” such as commenter drst describes, following a skirmish with Anti-Fat Extremists:

I got two messages in my inbox overnight calling me fat. I mean that’s all the messages said. One went something like “You are a fattie fat fat fat fat…” but there was nothing else in the messages.

I hadn’t encountered a situation like this since before I found FA, because most people you encounter face to face don’t throw the f-word around casually. I’m rather relieved my only response to these messages was derisive laughter. I mean, really? That’s it? That’s all you’ve got? I posted a FA message to some haters and the only response they can throw at me is to call me fat? How sad.

This, my loves, is why the process of reclamation — as much as I loathe the term — is so important, and so healing. Preventing people from saying a word is impossible; the more taboo it is, the more folks want to say it, and thus the more power it develops to do real damage when it is finally, inevitably spoken aloud. But as we have recently seen in the news regarding Dr. Laura Schlessinger’s “n-word”-strewn racism joyride, the solution is not simply to say our forbidden words because we can, damning the consequences. The solution is to recontextualize those words, and for that process to be led by the individuals against whom the word has been used. Fat is not a bad word, nor does it need to be a hateful word. Unlike most racial epithets, it is not a word that has a long and violent history of oppression, human misery, and pain — its use as a negative is a relatively recent development, and as such it is a much easier word to reframe as a value-free descriptor, or even as a positive assessment.

And so, to bring this overlong intro to a close: back in February I was asked this question. And the blandness of it — the obviousness of it — was so utterly absurd that I was delighted. Of all the things to ask. I responded thusly:

Q. Why are you so fat ? , its disgusting really .

A. I’ve only written about 100,000 words on this subject just in the past year alone, but since you’ve asked so thoughtfully, I’ll sum up: It was gnomes. Magical invisible fat-making gnomes.

My fatness was first hewn out of flesh from one of the gnomes’ sacred pigs (a majestic animal that was, alas, ritually sacrificed for this purpose), and then, after an arduous process of transubstantiation, I was given life and sent forth into the world for some mysterious as-yet-undisclosed reason, though my suspicions are that bacon is somehow involved. This is where all fat people come from, and having revealed these facts to you and the world at large by answering this question, I will very shortly be spirited away to the gnomes’ reeducation camp, if I am not hanged for treason. That is the truth.

So farewell, my fat-disgusted friend, I hope you appreciate my heavy sacrifice, as I appreciate the heavy burden you must bear in being forced to witness the fatness of all who waddle forth from the gnomes’ secret pig-sacrificing fat-person-building bacon-worshipping kingdom.

Even now I hear them at my door. My time is short. Farewell, farewe—!

You mustn’t ask me what happened when I was interrupted, nor how I managed my escape, to return to this blog and my mission to expose the fatmakers’ plans for pudgy world domination. Suffice to say that Fat Satan owed me a favor. And I’m still here, right? And we’re all happy about that.

Huge, Episode 8: Survive the only way that you know.

By | August 17, 2010

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Well, we are slowly winding down to the (hopefully temporary) finale. Truth be told, as much as I love recapping, I do look forward to getting back to blogging about other things, like Janelle Monae, and this dress from ASOS.

Angst-O-Meter (1-5): 5

Previously: The campers weighed in. Some will win, some will lose, some were born to sing the blues. Also, Dr. Gina and Salty Dad had a fight, and Amber and George got some quality makeout time, which was witnessed by Will.

It’s evening at Camp Victory. Annnnd, they’re still making out. Actually this is probably a different round. George interrupts to ask, “So when will you be seventeen?” Amber: “March.” George: “Oh. So, soon.” They resume making out, and George moves on to the groping segment of the program, though as he approaches Amber’s belly-chub, she pulls away instantly. She doesn’t want him to touch her stomach. Recognition flickers across the faces of millions of girls nationwide. What’s also interesting about seeing the two of them so… close together, is the reference point it provides for Amber’s size. Much has been made of Amber’s relative smallness compared to the other campers, but next to tiny George — who, standing on his own, looks like pretty much any youthful actor on any teencentric show — Amber’s distance from the slender ideal is cast into much sharper relief. They collaborate to start meeting for morning-makeouts as well, since that would be easier to lie about if Amber was caught outside her cabin. She likes to watch the sun rise! I also bet little birds land on Amber’s shoulders and a band of squirrels plays her a merry song, and maybe a deer comes and sits beside her and tells her how all the deer in the forest only wish they were as wide-eyed and innocent and pure as Amber appears to be.

Makeout times.

Elsewhere, Dr. Gina is making some intense exultations of pleasure in Wayne’s truck. Nah, it ain’t sexual, they’re eating ribs — indeed, good ribs will elicit similar noises from yours truly. The sign outside says “Oink’s Ribs” which is both funny and terrible. Wayne wants to know when Dr. Gina last ate from a drive-through window, and Dr. Gina cheerfully asserts: “I don’t eat in cars.” Or any vehicles. Wayne wants to see Dr. Gina tomorrow night, but Dr. Gina has a thing. She tells Wayne she’s in a twelve-step program, “the one for food”. Turns out she can eat in a car now because she discussed it with her sponsor first, and the “thing” tomorrow night is a meeting marking seven years of abstinence. From food? I guess from overeating.

Dudes, this scene is making me want ribs. Like, really bad.

Wayne wants to come with! Wayne is quite the catch, y’all, with his truck and his ribs and his fascinating knowledge of trivia.

Dr. Gina gets back to her cabin to find Salty Dad changing the light bulbs in her cabin, and explicitly not waiting up for her. Here I must note that Dr. Gina seems to have a smudge of something on her dress and I seriously hope it’s barbecue sauce. I’m going to choose to believe it is, inside my head. As Salty Dad asks how the date went, Dr. Gina gets a text from someone called Jonathan. Oh, I bet that’s the king of the tennis-douchebag camp from the LARPing episode. The text says he needs to see her. Salty Dad asks, “Are you texting, or sexting, or whatever they call it?” You know, it would be so easy for Salty Dad’s occasional pop culture commentary to come off as labored, but somehow it manages to be consistently funny. Salty Dad is happy that Dr. Gina is seeing Wayne so often. Dr. Gina: “So this is how you look when you’re happy?” Salty Dad: “Yup.”

Amber sneaks back into the girls’ cabin, where everyone is asleep — except for Will. Amber doesn’t notice and climbs into her bunk.

Commercials. I loathe this “toning sneaker” trend. You know what else “tones” your ass — if you believe in such things — with far more effectiveness than a pair of magic shoes? Walking!

It’s morning, and Chloe sleeps, blissfully unaware that the other girl campers are preparing to wake her with noisemakers and yelling. IT’S YOUR BIRTHDAY CHLOE! YAAAAAAY. Will and Becca give halfhearted groans from the back. Amber reads the freshly-awoken Chloe the list of qualities ascribed to her by her astrological sign, one of which is that she’s “a loyal friend”. Cut to meaningful shot of Becca looking glum, Will watching her sympathetically.

During morning affirmations, Dr. Gina warns the campers to be vigilant of self-sabotage. ”There may be a self-destructive part of us that doesn’t want to get better.” I cannot fathom how these kids could possibly sabotage their alleged “success” given that they’re in a closed environment in which they are required to exercise every day and their food intake is strictly monitored. Maybe they’ll start breathing too much? I suppose they could hypothetically capture one of the Camp Victory ducks and eat it.

Trent sees Chloe’s “Happy Birthday” crown and mouths “happy birthday” to her. She mouths back “thank you.” Trent then sees Alistair in the background and slowly realizes it must be Alistair’s birthday too. And they didn’t do anything! Shit. Post-afffirmations, he grabs George and lets him know. George is on it! Like Batman, he will leap into birthday-related action.

At breakfast, Chloe is planning her birthday celebration for that night. She wants to invite Carter but not Sierra. But then who will be on crying detail? Chloe wants to know where they’re going to score some booze, and apparently Trent has a line on a counselor who, supplied with money, will purchase alcohol for them.

Across the room, Becca and Will are chatting. Becca remarks that there’s going to be a full moon tonight, and she wants to go out and sit under it, to draw some runes. She explains it Will, who seems unusually cheerful this morning: “They’re these stones with symbols carved in them. They’re used to divine the future.” And then we have one of my favorite small moments yet, from Will: “I love that word: Divine.”

This is how *I* look almost every day.

Will wants to do it! Yeah! High five! Rune party! Becca’s shocked that Will is interested; Will says, good-naturedly, “I think your nerdiness is contagious.”

Back at the cool kids’ table, Trent is ever-so-subtly trying to create room for Chloe to come clean about Alistair being her brother, by asking about what her family does for birthdays. The moment is lost, however, when Amber announces they should play “Never Have I Ever” tonight. I feel kind of old because this is a game that actually post-dates my own irreverent youth. Or maybe it doesn’t, and the kids I was hanging out with were satisfied to get drunk and hook up with random friends without the intervention of cutesy drinking games.

Walking back to the boys’ cabin, Alistair tells Ian he thinks he and Trent would make a cute band. Ian is understandably unsure of how to take this. But hey, SURPRISE! The boys all yell at Alistair as a means of noting his birthday. Also, he doesn’t have to do his chore on the chore wheel. Dante has to do it! Har. They’ve also made him a card, with a drawing of a top hat and a rabbit. Because Alistair likes magic. Alistair calls the art “visually arresting” and it’s all kind of sweet in an inept-teenage-boys-trying-to-make-good sort of way. Of course, the mention of birthdays brings up talk of cake, which continues for about a minute before Dante bellows, “Stop talking about cake!” Sadly, there is no reference made to two whole cakes, though the circumstances were perfect for it. Instead, Ian asks Alistair about his best-ever birthday gift, and Alistair explains that his sister got all the stuff he wanted. “Like those Sky Dancer dolls? They could fly. She had all of them. And I get, like, G.I. Joe. You ever try to make G.I. Joe dance with the sky? It’s super depressing.”

Circuit training! Becca’s spotting Will’s sit-ups. Ian comes over to tell her he’s worked out the bridge to their song, and they high-five. Will is in an awfully good mood. She tells Ian he should come with her and Becca tonight, for their “fortune-telling rune thing,” and Becca doesn’t even try to hide that she’s disappointed to have to share the evening with anyone other than Will. Now: I know a lot of folks are going to read this as Becca having a crush on Will — the idea has certainly been floated before, and it may be true. But I want to argue that focusing on romantic/sexual pairings overlooks the beautiful things this series is doing with friendship. Speaking for myself, all of my most powerful relationships in my teens and early twenties were friendships, many of which were profoundly intense and even romantic in completely non-sexual ways. I had friends with whom I identified so strongly, it was as though we shared a mind, and one particular relationship in which I very nearly lost myself in the bargain. That one left a deeper impression — negative and positive — on me than any dating or sexual relationship I’ve had before or since (with the obvious exception of my current relationship with my spouse).

When Becca’s face falls, I recognize it — I know that feeling, as an introvert who tends to prefer one-on-one social interactions to large groups. It is a longing for a special understanding, for an opportunity to connect privately with someone who gets you, who knows you, who likes you and appreciates you, just as you are. There is a romance to friendships like this, but it is not necessarily borne of a sexual desire so much as an emotional one. I’ve been in love with friends. I’ve been in love with friends for their amazing minds and their wonderful personalities, and for our shared ability to understand one another, and support one another, and to say what needs to be said, and to listen. There is romance in that, but we have no language for it in our culture — no way of identifying it and recognizing it except in half-formed concepts and vague descriptions. We have no means of speaking about desire for emotional and intellectual connection, as sex is always paramount, always primary, always assumed to be the driving force behind human connection. And sometimes it is. But sometimes it is not.

Ian leaves at George’s assertion that there is to be no “socializing”; Becca collects herself. George leans down to correct Will’s form, instructing her to “keep your neck straight, and let your ab muscles do all the work.” At this, he gestures, or possibly touches, Will’s stomach, and she says, brusquely: “I got it.”

Trent and Chloe are using the free weights, and Chloe is explaining that she’s told her parents all she wants for her birthday is a car. Oh, is that all? Trent is still trying to create space for her to talk about her brother, by asking about her family again. Chloe finally gets it, and Trent admits Alistair told him. Trent doesn’t seem to get why it’s a big deal, but Chloe is visibly upset. Whether she’s upset about being connected with her brother, or because she feels guilty about how she’s treated him, is anyone’s guess.

Making matters worse, Dante comes over to tell Chloe that their alcohol-supplying counselor has changed his mind: “He had some change of heart where he realized it’s wrong to sell booze to kids and doesn’t want to go to jail, or whatever.” Chloe is beside herself. Dante: “I know! Screw him, right?” LOL. Precious.

Chloe says the party’s off and storms outside, followed by Trent. Trent foolishly believes having a good time sans alcohol is totally possible, but Chloe says without food or drinks, it’s not even a party. Trent insists that the two of them will have a good time, even if nobody else shows up.

The girls return to their cabin post-circuit-training, and Poppy needs to speak with Amber urgently. Amber assumes the worst, but no, Poppy just wants her to sign the birthday card she got for Chloe. Which is, for some reason, under her bed. Where Amber also sees a bottle of vodka. Well. Poppy wants to keep vodka under her bed, all right then.

Hey guys, why do I continue to be a moron who can't see that Will would make an awesome girlfriend?

At dinner, Trent catches up with Ian and asks if he wants to come to Chloe’s birthday get-together later. As soon as Ian hears that Amber will be there, he’s in, at which point Trent gives him a dap, and Ian says, adorably, “Ow.” Walking away, Trent tells Dante he should make out with Carter again, to which Dante says, exasperatedly: “She hasn’t talked to me since movie night, AND I found out she has a boyfriend back home. So just stop!” Trent: “Rough.”

Ian joins Becca and Will and tells them that Trent’s invited him to hang out. Will: “I thought you had total contempt for that whole group.” Well yeah, says Ian, but this is a chance to talk to Amber! Will: “If you want to miss out on a sweet neo-pagan ritual, it’s your loss.” Becca is chuffed to have things back to just her and Will. As Alistair approaches, Ian quickly asks them not to mention his invitation to Alistair, as Trent didn’t invite him. Tonight’s after-dinner activity seems to be board games, and Alistair asks if anyone likes Risk. Dude, set the board UP. I will so be there. Will starts to explain that she and Becca are having a runeathon, but Becca is not having any more interlopers, and so she interrupts and informs Alistair it’s a “girls’ night” thing. That’s hardly a deterrent, given that Alistair probably gets along with girls better than Will does. Sorry Alistair, you’re all alone on your birthday!

In the girls’ cabin, everyone is heading out, and Amber says she’ll meet them. Once they’re gone, she sneaks into Poppy’s room and steals some of her vodka. I swear I was one of like five teens ever who never gave a crap about booze. I might occasionally be out until three AM on weeknights — I didn’t have a curfew — but in my pre-college life I probably engaged in underage drinking less than ten times, and I never touched drugs.

Amber presents her gift to Chloe, who is astonished. At first, she thinks Poppy willingly contributed the booze, until Amber explains: “I snuck some, and then watered down the bottle so it would look like it’s still full.”

…….

Never let it be said that Amber isn’t a complex character, folks. Even Chloe is shocked.

The party gets rolling, and “Never Have I Ever” included. Carter’s never had sex outdoors. One of the guys has. Ooooh. Trent isn’t drinking. You go, Trent. Represent for the responsible teens. Ian turns up, and he isn’t drinking either. I do like how the non-drinkers are not being pressured or shamed here. I used to employ driving as an excuse to not drink, since I was the one with the big car and tended to drive, wherever we were going.

Next Trent says he’s never shoplifted. Amber has. This actually doesn’t surprise me in the least. She says her friends started her doing it because the store employees would never suspect her, and so: “I got really good at it.” When she wants something, man, she don’t want to pay for it. But then she almost got caught — which was “the scariest thing ever” — so she stopped.

Back at camp, Poppy’s leading game night with her usual mixture of earnest dorkiness.

At Chloe’s party, they’ve moved on to truth or dare. Oh god, this always ends badly. TEENAGERS PLEASE NOTE: TRUTH OR DARE ALWAYS ENDS BADLY. Never in the history of truth or dare has there been an instance of this game that didn’t close with someone crying or filled with rage. Dante dares Amber to kiss Chloe. Well, that’s predictable. They do it, and it ain’t no peck either. Ian’s expression immediately following is possibly the funniest thing I have seen on this show.

OMFG PRETEND LESBIANS!

Y’all, I wept with laughter taking this screenshot. WEPT. The image actually fails to capture the sheer fucking wonderment on his face. You should watch it on Hulu if possible. Because turnabout is fair play, Amber returns by daring Dante to kiss a boy.

Didn’t I say this would end badly?

Dante tries to argue, but nobody is letting him off the hook. Amber suddenly gets up and says she’s not feeling well, and Chloe follows — also Ian — to make sure she’s okay. In their absence, the remaining campers decide Dante should kiss “that really gay guy, Alistair.” Trent tries to volunteer to “take one for the team” — or in this case, for his buddy Athena — by offering to be the recipient of Dante’s affections, but Dante says no. Off the merry band of half-drunk teens goes, to further torment the kid who already feels isolated for not fitting in.

A little ways off, and ostensibly out of earshot, Amber is doubled over on the ground, with Chloe holding her hair, as Ian stands in the background. He asks if Amber’s okay, and offers to walk Amber back to her cabin so Chloe doesn’t have to leave her party. Off they go, Ian gingerly touching Amber’s shoulder, as Chloe heads back to rejoin the now-evaporated group. When she hears the news of the impending Dante/Alistair pairing, she and Trent run to catch up.

Ian and Amber have made it back to camp, and Amber feels worse than ever. She slurringly thanks Ian and gives him an awkward hug while Will surreptitiously watches from inside the cabin. Hug completed, Ian awkwardly (DRINK!) leans in, but is denied when Amber lurches away, oblivious, making a beeline for the bathroom. An appropriate moment to kiss is not just any moment in which two people’s face are close together; it’s a feeling, a vibration in the air. Possibly most teenaged straight boys are too hungry for proximal flesh to know when it’s happening and when it’s not, but I knew, even at that age. This is not the moment, Ian.

Seconds later, Amber is upchucking in the sink. The sink? Seriously, woman? You couldn’t make the toilet? Will comes in and expresses concern, until Amber says she just drank too much. Will is hilariously unimpressed by this. She starts to leave, saying she’s supposed to meet Becca, when Amber loudly vomits again. Sighing, Will turns around and comes to hold Amber’s hair and hand her a damp washcloth — a “community” washcloth, which is just what you want to be wiping up puke with. Will asks Amber who gave her the “hooch” — hee hee — and presumes it was George. Amber wonders why she’d say that. After some hinting around on both sides, Will finally tells Amber she saw her making out with George. Amber’s kneejerk response is, “No one’s ever going to believe that. Everyone knows you make stuff up.” Not, “Oh shit, I’m busted,” or “Please keep it a secret,” but rather, “You’re a liar, and no one will believe you.” Call me crazy, but I suspect there might be just a teensy bit of projecting going on here.

Will tells Amber she hasn’t told anyone, and asks how old George is. At this, Amber shifts into begging mode, pleading with Will to keep what she knows to herself. Amber: “It could ruin his whole life and he’s such a good person.” Will thinks for a moment, and then puts Amber to bed in her bunk, saying she’ll clean up after her. I love how Will has her shit together.

Meanwhile, Carter stands outside an open window to the common room, where Alistair is playing a board game with some other campers. She gets his attention, and when he comes over, she tells him Dante wants to talk to him. Alistair comes outside to join Dante on the porch, while Carter and the other mean kids hide under the railing, ostensibly so they can hear and see without being noticed. Dante begins by dourly asking Alistair if they have Scrabble inside. Alistair confirms this, obviously confused. Dante stops trying to flirt, and asks point-blank: “So you’re like gay, right?” Alistair’s expression quivers, shifting in waves for a long moment. “I don’t really think of it like that,” he says. “I don’t really like labels. I’d rather just… be a person. And, another person. And, be comfortable in who I am. And who we are.” Dante wants to know, “but is the other person a dude or a girl?” Alistair tries to explain it, “in theory”, but Dante just goes in for the kiss. There are quiet gasps from the mean kids, still hidden, and Chloe and Trent finally reach them just in time to see the main event.

As Dante pulls back, Alistair immediately apologizes, saying he thinks Dante is a nice guy, but he likes someone else. For a moment, Dante is bewildered by this rejection. Soon he collects himself and says, “It was a joke, dude,” which is the unofficial cue for the rest of the collaborators to burst out laughing. Except for Chloe and Trent. The siblings match gazes, guilt and sadness in Chloe’s crumpling face, Alistair’s eyes frighteningly and unexpectedly dark with rage, both their expressions saturated with pain. Without a word, Alistair turns and walks away.

Chloe turns on Dante, shoving him hard, shouting. Nobody understands why she is so angry. When she runs off, Trent follows.

Elsewhere, Dr. Gina celebrates her sobriety. Or abstinence. “Hi, I’m Dorothy and I’m a compulsive overeater.”

Ian finds Becca in the woods, stood up by Will. Both seem unsurprised. “You know how she is, “ says Ian. “I do,” says Becca. Ian takes a rune. Curiously, the runes used are the exact same set I had in college; they had a particular sound, clicking against each other.

Somewhere, Trent comforts Chloe, telling her he’d always wanted a twin, “because you’d never be alone.” Chloe says that’s the worst part. Even Camp Victory — she came alone last year, and so she could have this place to herself. But not now.

Trent and Chloe

Wayne brings Dr. Gina home from her meeting, and tells her he was glad to be there for it. Dr. Gina, who can be an amazing idiot for someone so smart, asks if he means he thinks he’s a compulsive overeater. No, he means he likes you. Awkward. (DRINK!) Her phone beeps, and she throws her purse to the side. They kiss, apparently for the first time. Wayne leaves, and Dr. Gina checks her phone. Guess who?

Commercials. More magical ass-narrowing sneakers!

In the girls’ cabin, Amber is telling Will about kissing George during Spirit Quest. “It’s so hard, to like, be around someone, and have to pretend you don’t feel what you feel.” Will looks away, saying, “Yeah.”

Becca returns, and Will immediately apologizes, explaining that Amber was running for vomit queen. Amber seconds this. Becca’s reaction is chilly; when Will asks if they can do it now, Becca says she’s too tired. How long until Becca snaps, from feeling shoved aside so often? It’s probably a matter of time.

In the boys’ cabin, Trent is yelling at Dante, while simultaneously keeping up the lie that Chloe and Alistair don’t know each other. Dante claims to have been drunk and manipulated: “I was a pawn in this situation!” When Ian asks what’s wrong, Trent vaguely says the party didn’t end so well. Ian asks for specifics just in time for Alistair to stomp inside angrily, refusing to speak to or look at anyone, going directly into the bathroom and slamming the door. Dante says “no hard feelings”, which is probably pretty high on the list of stupid things to say in this situation. Trent tries, “Hey, Athena, we’re really sorry. You can hit me if you want. I’m serious.” Ian wants to know: “What did you do to him?”

Alistair slams back out of the bathroom, walks to his bunk, furiously removes his Crocs, and then climbs up into bed. Ian climbs the ladder after him and leans over, saying, “Alistair,” but Alistair wordlessly pulls a sheet over his head.

In a parked SUV in the woods, Dr. Gina has just finished having mostly-clothed sex with the married guy who runs the tennis-douchebag camp next door. “I hate myself,” she says. Man, this show got really dark all of a sudden. Can I get one shot of some swimwear-clad fats? Maybe the long-awaited boys’ cabin underwear-pillowfight? Dante leading a massive multi-fatty dance spectacular to “Separate Ways” as a fitting apology to Alistair? “Someday, love will find you!” Something?

It’s the next morning. The Camp Victory ducks are back! Wait, is one of them missing?

Amber is in bed, but fully dressed, and sneaks out to meet George. Elsewhere George is walking, and when he hears someone else, assumes it’s Amber, saying, “Don’t be scared, it’s just me.” It’s not Amber. It’s Dr. Gina, doing the fabled Walk of Shame. George, too self-absorbed to notice, starts babbling about going for an early run, and can’t see that Dr. Gina wants nothing more out of life at this moment than for him to shut the fuck up and go away. He babbles more about self-sabotage, asking how he can stop a kid from doing this. Dr. Gina says he can be a good example, but in the end it comes down to individual choice: we are who we choose to be. She tries, again, to walk away, but George persistently sticks with her, barnacle-like, all the way back to camp.

Somewhere, Amber waits, leaning against a rock.

Later, Alistair sits watching some of the other campers play on the main field, looking at the birthday card on which Trent has written: “Athena, You rock dude! Trent,” and then watching Trent himself. Some kids are playing tetherball! I want to play tetherball! Ian joins Alistair at the picnic table, and asks him what Trent said. Damn, I would have liked to see that conversation. Alistair said Trent’s apology was “pretty heartfelt”. Also Dante won’t even look at him. Ian is all yeah, fuck those jerks. Then Alistair says, “You want to know the lamest part? That was my first kiss.”

I love the chub in this screencap. CHUB!

Ian commiserates, telling the tale of his terrible first kiss, involving braces, in which his tongue got stuck in “this girl’s Machiavellian flytrap of a mouth.” I feel vaguely guilty that my first kiss was actually kind of awesome and romantic. I probably paid for this when it turned out that every single guy I dated in my entire life was gay or otherwise queer, with two exceptions, one of which is the one I married, so although I have some grand kissing behind me, I also have a lot of hard-won angst as well.

Trent waves at Alistair, and he waves back. Ian: “Wait, you forgave him?” Alistair: “I had to. How could I not?” And here, it becomes apparent who it is that Alistair likes.

Amber comes back to camp to find George helping Poppy pack up the boating stuff. Poppy asks if she’s okay, and Amber says, “It’s just weird when you think something’s gonna happen, but then it doesn’t, and you don’t know why.” Poppy thinks Amber is upset because boating has been cancelled today. Poppy explains it’s because there’s a chance of thunderstorms, “right George?” George: “Yeah, they had to cancel it, it was too dangerous.” What proceeds is a wonderfully delicate coded conversation between Amber and George, in which Amber asks when they can go “boating” again, and George tells her there are a lot of other activities at camp, and maybe Amber should turn her attentions elsewhere. Amber leaves, sadly, and the oblivious Poppy tells George, “I think maybe she needs a hug.”

Our epilogue this week shows us Alistair drawing runes with Becca. His is blank, and his question was, “Will I ever be in love with someone who loves me back?” He thinks this is a bad result, but a blank rune is like a blank page — not empty, but rather rife with possibilities.

Next week: Part one of the two part finale — Parents’ Weekend.

Friday Playlist: The whistle knows my name.

By | August 13, 2010

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Helpful commenter Cyn suggested I check out Grooveshark as a playlist-building alternative, and I’ve started dabbling over there for future posts. Alas, the learning curve was too steep for me to master in the three or four free minutes I’ve had to devote to it, so this week we are sticking with playlist.com one more time.

1. “I’m Good, I’m Gone” // Lykke Li. Lykke Li is a quirky Swede who leans way further into twee-town than I can generally stand, but she has moments I quite enjoy, and this is one of them. “If you say there ain’t no way that I could know / If you say I aim too high from down below / Well say it now ’cause when I’m gone / You’ll be calling but I won’t be at the phone.”
2. “Wonderlust King” // Gogol Bordello. I actually lack words to describe how this song affects me. And y’all, I do not lack words for anything. It makes me want to pack a bag and stow away on a freight train, bound for unknown possibilities. If you listen to nothing else on this playlist, listen to this song — it will improve your day, I promise. “And presidents / And billionaires / And generals / They’ll never know / They’ll never know / What I have owned / What I have owned.”
3. “We Walk” // The Ting Tings. The beat on this one may cause dancing at one’s desk. You were warned. The entire album from which this track is taken — We Started Nothing — is brilliant and addictive from beginning to end, if you’re not familiar with it.
4. “Postcards from Italy” // Florence and The Machine. This is a cover of a song by Beirut, and the original — which features a gorgeous horn section — is already an amazing track, but I adore Florence’s spare interpretation just as much. Girlfriend has a craaazy voice.
5. “Born on a Train” // Magnetic Fields. This may well be my favorite Magnetic Fields song, and that’s pretty high praise, as they have a whole lot of great songs. “I have to go when the whistle blows / The whistle knows my name / Baby, I was born on a train.”


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Coming Correct: Thoughts on the Huge Facebook drama

By | August 11, 2010

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Nikki Blonsky, looking way more femme than I'm used to these days.Yesterday, a post appeared on the Huge Facebook page promoting a fat-camp scholarship in Nikki Blonsky’s name. Within minutes, my inbox was collapsing quantum-singularity-style under the mass of so many aghast messages letting me know about it. I haven’t said it recently, and can never say it enough, but oh, my vigilant little pudgemuffins, you are such treasures, and I sincerely appreciate all of you who take a moment to send me fat red alerts about this sort of thing — even when there are lots and lots of you.

The Huge Facebook page, where the offending post can be found, is here. I strongly recommend against reading the comments, unless you are one of those loveable scamps who digs on feeding trolls. Though things began as a fairly even conversation expressing opinions both for and against, the thread predictably spiraled into ridiculousness once word spread and dutiful citizens turned up to inform people that a) being fat is not okay, b) all fat people are fat because they eat too much and are lazy, and c) any fat person’s life who does not meet this criteria does not exist. (Oh, and producer Savannah Dooley is an irresponsible horrible person who wants people to get fat and die, suffocated by their own adipose tissue.)

I’m going to take this in two parts: first, the announcement itself.

Last week, La Blonsky* visited Camp Shane — evidently “the longest running” fat camp in the US — to announce the scholarship that will bear her name. The press release for the scholarship announcement is here, if you want to read it in its entirety. The short version is that applicants will submit essays on why they want to attend, and La Blonsky will read them and choose a winner. I do understand the kneejerk reaction a lot of folks have had — so many of you have been on pins and needles, certain that Huge was going to break your heart, so it makes sense that the response to this would be an emotional one. But let’s break this down a bit first.

To start with, this does not seem to be a scholarship that is sponsored by or really in any way connected with the show itself, but rather something one of the show’s stars is involved with, which ABC Family is dutifully promoting, because that’s how this works. Way back when the triceratops was still a dinosaur and I was in film school, one of the things that was hammered into our heads — reluctantly amongst the screenwriters, but still — is that film (and television) is a collaborative process. Sure, somebody writes something, but then that something passes through the interpretive lenses of actors, directors, producers, and so on, before it reaches an audience. And even then, it is again put through a marketing and promotional filter as the company distributing it decides how best to sell it, which may or may not be in keeping with the motivations and purpose of those who made the project in the first place. Thus, a story told on film is a story read by a multitude of voices, with a plethora of intentions and understandings behind it. Maybe if you’re George Lucas, this isn’t true, but then George Lucas hasn’t made a good film in a long-ass time.**

The point being that it is a bit of a leap to assume that because a member of ABC Family’s Facebook Brigade posted a press release about one of their stars, that means everyone involved with the show in question must be automatically on board with that. Nikki Blonsky seems like a smart lady; even in the quotes used in the scholarship announcement, she talks about loving her body, and I am inclined to trust that she would not support a venue where fatties are routinely being brutalized. Would I rather the emphasis on weight-loss be dropped and said camps style themselves on a Health at Every Size (HAES) model, which allows room for weight loss to occur but focuses attention more specifically on overall well-being and individual fitness?*** Hellllll yeah. But that camp doesn’t exist. And the truth remains that many kids, even kids who were traumatized by early diets and body image problems, remember fat camp experiences as positive ones. I’m in no position to dismiss that.

On a broader scale, Huge as a series is portraying a range of experiences and perspectives — including the one of the kid who wants to go to fat camp — and it’s doing it in a calculatedly even-handed way. It is throwing together characters with a wide array of feelings on weight and their bodies and letting them mix it up in this complicated social soup; curiously, just like real life. Indeed, my own real life is conflicted and turbulent, even given my collected fat-lady honors. It is not a solemn march arm-in-arm with like-minded acolytes through fields of nonbelievers, bearing the light of objective truth, because on this issue at least, objective truth does not exist. I live in the same world that plays host to folks like the commenters on Facebook, who believe I and my fat brethren are ridiculous for daring to think of ourselves as real people, worthy of respect. I don’t get to go around all day long educating, much as I would like to, because I have work to do, and a friend’s band may be playing this weekend, and there is laundry that needs washing, and so forth. Life is complicated. For everyone.

Which brings us to the second part of this two-part story: the Facebook explosion.

On some level, such an elaborate demonstration of fat-hating from a small but vocal group is useful. It’s useful because it undermines the argument that size prejudice does not exist, or if it does, that it is not common. It’s also useful because it illustrates the astonishing irrationality of many of these arguments. Folks who spew hate simply know that certain things are true, and require no evidence of it, and if evidence is provided to the contrary, then that evidence is flawed or a lie. This is essentially the opposite of critical thinking, and the opposite of critical thinking is like a cancer in American culture today, affecting us across systems and ideologies and killing our ability to be independent critics of our own world. To wit: if your position is not strong enough to stand up to civil discourse and thoughtful questions, then your position is not very strong at all.

But more than that — and here I repeat myself, again and again as I have for years upon years, and as I will continue to do, to be sure more people hear — no amount of shame is ever going to make me thin. I am not fat because of a shame deficit, and supplying me with additional shame is not a productive solution to a circumstance that I don’t even consider a problem. All shaming fat people does is make them feel like shit about themselves, and if you enjoy doing that, hey, it’s a free country — but you should know that it also makes you an asshole. I spend every day going about my business without shame because it’s how I choose to live, certainly; but I also do it to set an example for anyone whose body fails to conform to arbitrary standards of acceptability, whether they’re fat or not. Shame serves no purpose; it merely drains your energy and your ability to go out and live a fabulous, gratifying, full life. You can leave it all behind.

Or, here is an abridged version: I am fat. Being fat is okay by me. And you cannot make me be thin, no matter what you do. Nyah nyah, neener neener, go fuck yourself, good night.

* Apropos of nothing, but have you SEEN how fierce she is in that dress at the 2010 Teen Choice Awards? Look at the picture again. DAMN.

** Poor George Lucas. You had to know how terrible The Phantom Menace was. I suppose being able to cry yourself to sleep every night whilst reclining on a giant pile of money is some small reassurance.

*** On the phone with Marianne last night, I shared my shock at learning that Camp Shane costs $8300 for TWO MONTHS worth of fat-camping. Marianne’s response: “WE ARE IN THE WRONG BUSINESS!” So maybe five years from now Fatties-Come-Frolic camp will become a reality. Humor aside, though, that number really throws the class privilege of the Camp Shane kids into stark relief.

Huge, Episode 7: “I could yank the life support on her illusion of allure.”

By | August 10, 2010

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Angst-O-Meter (1-5): 4.5

Previously: We QUESTED. Will and Amber got lost. Will waged a battle with evil dumpster-donut kobolds and emerged victorious. George waged a battle with his inappropriate attraction to Amber and did lose that fight thoroughly. And in the center of it all stood the gravitational axis and emotional center of all this human drama: S’nalt.

It’s morning, and in the laydeez’ cabin, the campers are talking about the impending weigh-in. Ah, well, the good times couldn’t last forever, I suppose. Chloe reminds us: “It’s not about the number, it’s about how you feel.” Forgive me, but if that’s the case, why not skip the weigh-in altogether? A lot of us seem to be all in for a weight-loss-free Fatties-Come-Frolic camp.

Sierra shrieks from the bathroom: there’s a giant bug in the sink. Hey, at least she didn’t start crying. That’s progress. Will sighs exasperatedly and heads to the bathroom with a shoe, ostensibly for bug-smashing purposes. The bug is indeed enormous, like the God of the Cockroaches. It looks a bit like one of those Madagascar hissing cockroaches, which Wikipedia has informed me can be kept as pets, fed on a diet of fresh vegetables and dry dog food. Really? I am both intrigued and revolted.

Will calls them all “pansies” and prepares to bash the Cockroach God good with one of her Chuck Taylors. Becca stops her: she doesn’t want Will to kill it, but rather thinks they should relocate it outside. Chloe wants it dead, and then she wants Will to go find its entire cockroach family and kill them too, and then to mount their tiny cockroach heads on tiny pikes just outside, to underscore the point that bugs don’t want to be coming into this cabin, y’all. This is the zero-tolerance model for dealing with illegal insect immigration.

Will goes with Becca’s more humane relocation plan and uses a cup to escort the bug outside. Will would make such a hot butch. Maybe once she gets to college. Fingers crossed.

Dr. Gina and her Real Hair are leading a meeting of the counselors in the mess hall, and tells them that there will be a weigh-in this week, “but don’t tell your kids.” She doesn’t want them worrying about it. You know, you could just not do it, Dr. Gina! Enter Jillian Michaels: Deep Space Nine, who’s back! Damn, I was hoping she’d eaten a bad Powerbar and would be gone for the duration. Shay’s returning from her family emergency. Her daughter had meningitis. Keep trying, show — a family misfortune is not going to make me sympathize with this character. Everyone but Dr. Gina seems to know that Shay has a daughter, and she has to ask what her kid’s name is. Awkward. (DRINK!)

A few minutes later, Poppy tells George: “I didn’t tell Dr. Rand what happened at Spirit Quest.” In a classic illustration of dramatic irony, George looks momentarily stricken — see, WE know he’s thinking Poppy is referencing his Unscheduled Makeout-Times with Amber, but Poppy actually means Amber and Will getting lost in the first place. Which she proceeds to specify, and George is relieved. Poppy’s worried that Dr. Gina will hear it from somewhere else.

It’s Salsaerobics time! Shay’s instructing. Yell, yell, yell. Chloe flirts with Trent as they dance-workout. Dante tries to get Trent’s attention because he wants to tell him about the dream he had about Shay last night. When Trent ignores him in favor of watching Chloe shake her ladyflesh, Dante goes into HEY GUYS HEY GUYS HEY GUYS GUYS LOOK AT ME LOOK AT ME mode and attempts a rather athletic “interpretive dance” of his dream, getting laughs from some of the other campers. Shay, predictably, loses her shit at him. I get that disrupting the class is a problem, but this still seems a little shortsighted to me, as he was being active, for fuck’s sake. To atone for Dante’s bad behavior, Shay screams at all of them to drop and give her fifty sit-ups. Ah yes, exercise employed as punishment intended to cause the other campers to dislike and isolate Dante. Surely this education will change the lives of these kids for the better!

After class, Trent rolls up on my boy Ian and wants to know when they can “jam” again. Musically, I mean. Ian begs off saying he’s been working on “solo stuff”. Trent’s all “whenevs” and gives Ian a friendly thump on the chest as he leaves. I don’t get why guys do that; even if you don’t have tits, it has to hurt.

Punch = love?

Amber rolls up on George when the room is almost empty — empty save for Becca, who is awesomely wearing leggings as pants. George, in a dull panic, gets Becca to stay and unwittingly chaperone by babbling incoherently about the book on Native American spirituality she loaned him. Amber feigns interest in the subject as well, but once George goes back to collecting the yoga mats, she totally zones out as Becca tries to talk to her about it.

In the garden, Dr. Gina comes upon Salty Dad, who asks, “When is that loud girl you don’t like coming back?” meaning Shay. Dr. Gina is upset that she didn’t know that Shay had a daughter. Even Salty Dad knew! I’d be a little freaked too, considering they’ve worked together for five years. Dr. Gina asks Salty Dad: “Am I that hard to talk to?” Salty Dad responds by complaining about the heat and taking off his shirt. Dr. Gina notices a tattoo on his arm that says “Joyce”; Salty Dad, oblivious, tells her not to take things so personally. Dr. Gina’s face would seem to indicate that “Joyce” is not her mother’s name. “There are just some things that people want to keep to themselves,” Salty Dad tells her, the idea unintentionally apt. Dr. Gina leaves without another word.

Sharing circle time! Ian talks about the pressure he feels, given that his parents have spent so much money sending him here: “It’s like they’re really expecting me to come back different.” Dr. Gina says high expectations can be destructive, and that all they can do is try their best. I know at this age, this is what these kids need to hear, but the embittered harpy that lives in my head is sighing really loudly and rolling her eyes. Dr. Gina says she sees them all trying as hard as they can. Eye contact with Will. Dr. Gina smiles at her warmly; Will, her expression dour and her eyes dark, looks away.

Post-circle, Amber walks up to Ian and tells him she like tooootally relates to what he said, but she’s always afraid to raise her hand. Amber is such a liar, y’all. She lies all the time. When she’s not breaking stuff. I know it comes from a place of insecurity and I am trying to be sympathetic but really, honeylamb: at least stop going out of your way to volunteer lies. Like being able to relate to the pressure of parents having spent money on this, when you paid for it yourself. Ian seems utterly bewildered that she is talking to him of her own accord.

Walking back to the cabins, Becca is super-happy and sunshine and puppydogs and unicorns pooping rainbows in the sky. She feels like she’s getting in shape! Even walking is easier! “I feel great. I’m definitely going to share next time.” Will ain’t hearing it, though. Like at all. She is ragey: “I just want to scream, every time we’re in that circle. No pressure, as long as you’re trying as hard as you can to shrink to an acceptable size.” All the wind is sucked from Becca’s sails; she quietly tells Will that her shoe is untied. Will deftly props her foot on the top railing of the bridge they’re on, which is about chest-height on her; girlfriend is flexible, damn.

Can you not be on top of me?

Here comes a sweaty, out-of-breath Ian running over, overwhelmed with amazement, to tell them both that Amber just talked to him “for no reason,” OMG. He leans over Will and asks: “In your cabin, does she ever talk… about anyone… she might like?” Will, with her leg still hefted on the railing: “Can you not be on top of me?” Ahem. Let’s pretend I just had a coughing fit here and didn’t make any double-entendres about that. Becca tells him that Amber doesn’t really talk about anyone. Ian asks if his name should come up, whether they could assess how she “reacts”. Will inadvertently volunteers to check it out. Poor Will.

It’s a rainy evening and the campers are assembled in the common room, engaged in their diversions of choice. Becca reads; Alistair practices magic; Sierra seems to be making a popsicle-stick house; Trent and Chloe and company are sacked out in front of the TV. Trent watches as Ian and Will sit together, goofing around; Will is pretending to play Ian’s guitar, and Ian swipes her hat and puts it on. Trent seems thoughtful, maybe a little left out. But no time for that: Love Handles is on! Our pseudo-Luke is about to make his selections: “There are nine onion rings in this basket.” Onion. Rings. At this point I choked to death and died. The end.

Okay, I’m not really dead.

Will + Ian 4Ever

Salty Dad enters with rain ponchos, I guess in case anyone wants to leave this craaaaazy party. He spies Alistair sloppily shuffling some playing cards and sits down to educate. On the couch, Trent and Chloe canoodle while Dante looks on, a little sad and clearly left out. Oh Dante, if I were still a teenager, I would totally date you. Not at my age, though. Today I would eat you alive. Seriously, there’d be nothing left.

Before long, Salty Dad has got them playing poker with elbow macaroni as chips. Dante deals. Alistair attempts to bluff but is unmasked by Sierra, who tells him his voice goes up when he lies. This leads to an exchanged look between Alistair and his secret sibling, Chloe. Becca is killing them all. It looks like a good time, until Shay comes in and incredulously demands to know: “What are you doing? Are you gambling with these kids?” The players scatter faster than teens at a keg party when the cops show up. Salty Dad explains, “It’s elbow macaroni.”

In the boys’ cabin, everyone is fully dressed and a pillowfight does not seem to be in the offing. Damn this show. Trent thinks he’s lost at least ten pounds. He flops onto the top bunk heavily, while Dante sits on the bottom bunk. Dante: “Hey, watch it, fatass!” Hee. Outside, Amber appears, wearing a hoodie in the rain. The boys are predictably disgusting. But George cockblocks them all saying, “Stay here guys, I’ll handle this.”

Outside, Amber pretends to be there to borrow that book about whatever from George. Dante yells from inside: “Amber, have my baby!” George somewhat coldly tells her it’s after the evening bell, so she has to be in her cabin. Amber hesitates, and then leaves.

The next day, George catches up with Dr. Gina — and her Real Hair, dare we hope it’s here to stay? — and comes clean about Will and Amber’s going missing during the Questing. Dr. Gina guesses that one of them was Will. She then tells George: “I see it.” George prepares to tell the tale of how she put her hand on his knee and he put his foot on the gas, but Dr. Gina is actually referring to his positive influence on the kids. Oh. Well, that’s good, I guess.

The campers are on a run with Jillian Michaels 2: Electric Boogaloo. Ian wants to know if Will has had a chance to grill Amber for him yet. She has not. Further back in the pack of joggers, Dante begins lurching around and demanding brains. Shay makes them all stop, and says, “Apparently we’re not on a run here. We’ve got ourselves a comedy act.” She demands to know whether anyone is laughing. Well not now, you fucking ogre, now everyone’s waiting to see how you plan on humiliating this kid. Shay shouts in Dante’s face, accusing him of “goofing around, and not doing any of the work”, and demanding to know why. Oh, oh, let me guess: I propose that Dante is both insecure and unhappy to be there, not to mention feeling socially isolated given Trent’s romance with Chloe, and is compensating by trying to be funny. Furthermore, while I’m giving out free fucking advice: although he may be disruptive, you will probably have better luck getting through to him by acknowledging this and talking to him like an actual human being, instead of treating him like an errant and dull-witted child by yelling in his face, embarrassing him in front of his peers, and literally making him cry. Shay wants to know: “Do you think you’re better than me? Is that it?” Whaaaaaaat. What the fuck is going on. When Shay asks Dante if he “wants” to be there it’s obvious there’s only one answer she will hear, and so the teary Dante says he wants to be there. It’s a lucky thing for everyone involved that Dante isn’t me, because at seventeen I had a lot of unresolved anger over having spent my life since eight years of age trying and failing to be thin, and no real means of managing said anger, which may well have resulted in my punching Shay in the face in this same scenario.

LEAVE DANTE ALONE!

Damn, that scene made me angry.

Later, Will, Becca, Ian (wearing Will’s hat again), and Alistair are chilling out in the sunshine and talking about how awful the Shay/Dante throwdown was. Two camp employees walk by with a scale, a reminder of the impending weigh-in. Ian thinks Will has lost weight; Will is dubious. Alistair reminds Will of her stated intention to gain weight, and Will asserts that she said that to mess with people: “I’m not an idiot. You’re exercising this much, you’re gonna lose something besides your mind.” Ian wants to bet Will’s hat. Will: “It’s my hat.” Ian explains, if she has lost more weight than him, he gets to keep it; otherwise she gets it back. Will makes a grab for the hat and Ian, being like two feet taller, easily keeps it away from her, and the two play-fight while Alistair tries to pick a burr out of Will’s hair. Finally Becca reminds them all, exactly as Chloe did earlier: “It’s not about the number, it’s about how you feel.” Then why bother with the fucking weigh-in? UGH.

FINALLY, we get to the Seventeen-sponsored segment of tonight’s program. Chloe and Amber sit on the cabin steps, and when Chloe points to a skirt that she thinks would look cute on Amber, Amber says: “I couldn’t wear that. I’d look pregnant.” Given Amber’s more apple-ish shape, this is a really apropos comment, as one of the blights of the apples is the fear of looking pregnant. Unless you’re like me and you just don’t give a crap. Amber is freaking out about the weigh-in and Chloe tells her that she needs to see the Body Peace Treaty. Amber reads some of it aloud, and signs, as does Chloe. Though I maintain that Seventeen’s refusal to walk the talk is irresponsible, this is a thoughtful and sensitive little moment for these characters. Poppy appears to tell Amber that Dr. Gina wants to see her in her office.

Sign here for flat abs -- now!

Will and Amber both sit outside Dr. Gina’s cabin, looking like they’re waiting outside the principal’s office. Neither knows why they’re there. Amber asks about Will’s food stash, and Will says it’s buried, and that she hasn’t been near it since the first week anyway. After a pause, Will says, “So, you know Ian?” Amber looks distracted, almost annoyed: “Your boyfriend, or the short guy?” Apparently she doesn’t know either Ian’s or Alistair’s names. I know, I know they’re teens traveling in narrow little cliques, but this still strikes me as kind of shitty. I’d be willing to bet Will knows Dante’s and Trent’s names.

Of course, Will is in no condition to think about this, as she’s too shocked to hear Amber refer to Ian as her “boyfriend”. Will: “What? No, no no no no, we’re not together. Like, at all.” Amber: “Sorry, I just thought — you’re always together, so…” Will: “Yeah, we’re friends.” It makes sense, though, doesn’t it? To a casual observer, Will and Ian go together. They look like a couple, and if they were any age beyond their teens they probably would be a couple, in one sense or another. On the other hand, seeing platonic friendships between straight boys and girls defended is also a wonderful thing, as not every interaction has to be sexualized. Will seems almost traumatized by the suggestion, however, and quietly goes back to trying to untangle the burr still stuck in her hair, as Dr. Gina steps out to ask Amber inside.

Dr. Gina begins by telling Amber she knows how hard she has worked to be there, and it finally comes out that Amber paid for camp herself. After shuffling around the topic for a moment, she asks Amber if she and Will left the Quest campsite on purpose. Innocent head-shake from Amber. “Is there anything else about that day that you want to tell me?” Another innocent head-shake.

Amber steps outside, and it’s Will’s turn. Dr. Gina explains that given Will’s prior escape attempt, she had to be sure their getting lost was an accident, and that she believes it was. Great. Then Dr. Gina says: “I see the change in you, Will.” Can you point it out to the rest of us? Will seems as cranky as ever. I mean, aside from possibly liking basketball. Will asserts, “I haven’t changed.” But no, Dr. Gina says Will has “opened herself” to this experience. In a matter of speaking. Having Ian around to crush on probably helps. Will says, “Whatever,” and goes back to picking at the burr in her hair. Dr. Gina sees and offers to help, while Will asserts: “I like it like this.” Hesitantly, awkwardly (DRINK!), Dr. Gina picks the sticky burr from Will’s hair.

In the boys’ cabin, Trent, Ian, and Alistair are brushing their teeth in preparation for bed. WHY IS EVERYONE WEARING SO MANY CLOTHES? This is California, yes? Nobody needs to sleep in a shirt and pants in California. Hell, I live in Boston and I wear less to bed in the dead of winter. Trent says he’ll be okay with the weigh-in so long as he’s lost more than one pound. Alistair agrees, and Trent tells him: “Don’t sweat it, Athena,” calling him by the name he chose during Spirit Quest. AWWW. After Trent’s gone, Ian whispers that he hates “guys like that”. Alistair wants to know what he means. Ian: “How he keeps calling you Athena?” Alistair: “He doesn’t mean it like that. He’s just trying to be cute, or whatever.” Ian: “Seriously, does it bother you? Because I’ll talk to him.” DOUBLE AWWW. If you were, at this point in the recap, to picture me, chin propped on hand, starry-eyed smiling, a bouquet of plump cartoon hearts encircling my head, you would not be far from the truth.

Alistair insists that it’s fine, and tells Ian that he and Trent sort-of bonded during Spirit Quest, and that Trent is actually a really nice guy. Alistair, gently: “Have you considered maybe you’re like, jealous?” Ian: “Of course I’m jealous. I’m jealous of everyone who’s better looking than me.” I know it’s just my opinion, but for fuck’s sake: there is no one here better looking than you. The only possible competition is Will, and I think y’all are evenly matched. So shut up, you stupid boy.

Later that night, the counselors are drinkin’ beers on the bridge across the camp’s pond. I think we can safely assume that George is at least 21 on this basis, as I sincerely doubt Dr. Gina would allow underage counselors to imbibe on camp property. Shay is telling him, “I love these kids, that’s why I yell. It’s the only thing that gets them to wake up.” Nope, I ain’t buying it. Not a bit. Shay may well have personal issues that prevent her from expressing her “love” in a non-aggressive or abusive way, but that still doesn’t make it acceptable to me.

Poppy spies Dr. Gina and calls her over. Dr. Gina says, haltingly: “I never… drink beer,” in much the same way she said, “I never eat after dinner,” prior to the Muffin Horror. Shay agrees, “Neither do I,” as she takes a swig. Dr. Gina and Shay have a stilted conversation in which Dr. Gina tells a surprised Shay that she never mentioned having a kid to her, followed by Shay pointing out that Dr. Gina never mentioned that Salty Dad was her father. Uh, five years > a few weeks. But WHATEVS, Shay. She then goes on to tell Dr. Gina about discovering Salty Dad’s impromptu poker game the other day. Dr. Gina’s expression changes subtly, but noticeably at this, and her reaction seems out of proportion with the event. After this, the both of them seem to look for the first opportunity to end the conversation and go their separate ways.

Dr. Gina slams her way into her office, startling the sleeping Salty Dad. She accuses him of gambling with the kids, and says, “I am responsible, do you even understand what that means? What am I saying, of course you don’t.” Dad tells her she’s being unfair, that it was “just for fun”. Dr. Gina explodes: “What’s not fair is being thrown out of your home when you’re eleven years old, because your father gambled away the rent.” Dad says that’s the past. Dr. Gina: “It’s not the past. I live with what you did. You left us with nothing, and I live with that.” She brings up the name on the tattoo “that you’ve been hiding,” and demands to know — plaintively — who she is. Instead, he leaves the office.

The following morning, Dr. Gina is stunned to find Salty Dad cooking breakfast in the kitchen. When she observes that he’s still there, he replies, “I work here. I’m not going to walk out on these kids just because I’m mad at you.”

Weigh-in day has arrived! The only good thing about this is seeing everyone in swimsuits again. The weighings happen in little private cabanas, and for a split second I’m hoping it will turn out that the campers who enter will not be weighed after all, but maybe patted on the head, told they’re awesome, and possibly given a cupcake. I vote for Secret Cupcake Distribution over Weigh-Ins, but quietly subversive as this show is, I suppose that would be too radical. I will be satisfied if we don’t get hassled by numbers here; the potential for it to be triggery and mind-destroying is too great.

The weigh-in is captured in a montage of campers’ reactions: some are gleeful, some perplexed, some disappointed. They leave their weighings with a card in hand, I assume on which their net loss (or lack thereof) is written. Dante lost eight pounds. And according to Shay he wasn’t doing any of the “work.” NEW FITNESS CRAZE: lurching around like a zombie. I am copyrighting that so none of you steal it. Sierra runs out of the weigh-in tent crying. Maybe Dr. Gina told her Robert Pattinson is gay. Becca, in line with Will and Amber, tries to catch Will’s eye, but Will is stubbornly staring into the distance and listening to her headphones. Will can be SO anti-social! It stuns me how similar we are. Instead, Becca makes eye contact with Amber, who mouths “good luck” to her. Oh, the toothpick is back. Maybe the toothpick should get a credit.

Ian’s up, and he heads in to be weighed by George. Ian gets on the scale backwards, and I have another of those moments in which I am so grateful that this show exists. Yes, kids, you can get on the scale backwards if the numbers do bad things to your brain. This is a perfectly valid option. George explains that he is going to write down Ian’s new weight under his original weight, and then Ian can read it off the card. Interesting. He tells Ian to hop down and tells him he’s doing really great. Ian takes the card without looking at it and hastily rushes out of the tent.

Outside again, Ian finds Alistair sitting alone under a tree. He walks directly to him and hands over the weight card. Ian: “Take this. Destroy it.” Alistair wants to know if it’s “bad.” Ian: “I haven’t even seen it. I don’t want to know. I don’t want to let a number decide my whole view of myself.” I love this. I love this so much. Alistair agrees that this is a smart way of going about it. Ian realizes that Alistair seems to be upset and sits down with him. Alistair says he lost “a little”, and that George said he was doing great, but he doesn’t know why he feels so sad. Ian: “Because it’s so freaking hard. And you still have so much left to go.” If I may add to this: and because the odds of you successfully maintaining a significant weight loss even once you get there are so painfully poor. Alistair agrees with Ian, who reassuringly pats his arm and then rests his head on Alistair’s shoulder. If this scene does not cause you to melt, you are a stronger person than I.

Alistair + Ian 4Ever

I love these characters so fucking much.

Back at the weigh-in line, Becca emerges all smiles. It’s Will’s turn. As she enters, Dr. Gina asks how she’s feeling today. Will just wants to get this shit done. She stomps onto the scale as Dr. Gina tells her to be careful — I died. Careful not to break the apparatus specifically designed to measure your weight by standing on it! Dr. Gina writes down her weight and hands Will the card, smiling, saying, “I’m really proud of you.” Will pauses, and then, giving Dr. Gina a steely-eyed glare, tears the card into pieces and throws them on the ground. Hey, now I’m proud of Will too! Everybody wins.

Will stomps out, followed by Becca, who was evidently waiting for her. Poor Becca, man. She deserves better. Amber’s up for scaletimes. She asks Dr. Gina to hold her toothpick when she steps on the scale and oh, how I laughed. Turns out Amber has lost one solitary lonesome pound. Ouch. She looks stricken. Dr. Gina is encouraging, telling her the superfats have it easier because the first pounds come off quicker. Uh. Okay. Poor Amber for being not so fat!

Amber goes to meet Chloe and lies, again, telling her she lost six pounds. Oh Amber. The truth will set you free.

In the girls’ cabin that evening, the laydeez are having a little dance party. Amber is distant and distracted. Chloe is kind of adorable when she’s in a good mood. Amber gets up and goes into the bathroom, the music still loud in the main room, and in the dark she looks at herself in the full length mirror. Her expression as she surveys her body is nothing less than heartbreaking, pure despair. She turns sideways and pulls at the chub under her arms and silently cries. I wish she could tell someone, could go to someone who’ll hug her and stroke her hair and tell her she’s just fine, and everything is fine. But there’s no one, because no one knows. No one knows.

Becca is still excited about her weight loss, and Sierra tells her “It shows, you look great.” Will intercedes: “What are you saying she looked like before?” This pisses everyone off, and Chloe asks, “How much did you lose, Will?” Will: “Eat me.” LOLZ. Becca comes over to Will for a private moment, saying she gets it if Will thinks she’s an idiot for coming to Camp Victory willingly, but: “I can’t help it, I want to lose weight.” Will counters, “Is this really what you want? If this was the sixteenth century and everyone thought that this was beautiful and being thin was ugly, would this still be what you wanted?” Though the appeal to historical precedent is not a sound debate technique, Will’s greater point — that the cultural pressure to be thin is ubiquitous and inescapable — stands. Will is emphatic; she truly believes what she is saying, even though she knows she is largely alone here. Becca wants to know why Will can’t just be happy for her, and Will, as she stomps outside, says, “Because I don’t want to get infected by this crap!” It is an infection, a way of thinking that can be so easily inhaled, absorbed, accepted, and avoiding it takes constant vigilance. If you’ve worked in an office of dieters, lived in a dorm hosting a cluster of eating disorders, surrounded yourself with people and media that remind you of your failure to be perfect, to be “disciplined”, to be beautiful — then you may know how it can be caught. Will has set a boundary, and she is going to defend it. Though Becca’s disappointment in Will is understandable, friends also respect boundaries.

It’s dark outside, and must be close to lights out, when George sees Amber walk by alone. He catches up to her, to apologize. It wasn’t fair to her. If she was older… but he has to be responsible. George knows he fucked up — and then he fucks up again, and kisses her. He pulls away, saying, “I can’t do this,” and Amber looks away, “…here.”

Moments later, Will is tromping angrily through the grounds when she hears voices and stumbles upon George and Amber making out against a giant rock. They don’t see her, enmeshed in makeout as they are, and she scurries away, confused and a little shocked.

In the common room, Alistair finds the copy of Seventeen and signs the Body Peace Treaty as well.

Outside, Dante sees Shay on the phone, ostensibly talking to her mom about her kid. She says not to wake her, and when she hangs up the phone, she leans against the wall and rubs her face, sad, missing her family. She still gets no sympathy from me, though Dante’s expression as he watches her from a distance is unexpectedly sensitive and thoughtful.

MAKE OUT. MAKE OUT NOW. NOW NOW NOW.

Will finds Ian sitting beside an outdoor fireplace, alone. PERFECT makeout opportunity. But NO, Stupid Ian wants to know if Will’s had a chance to find out if Amber likes him yet. Will says she hasn’t been able to get any info. Ian steals her hat again and they playfully fight over it. YOU GUYS ARE SO CLOSE TO KISSING FOR FUCK’S SAKE JUST DO IT.

The next morning, the girls are discussing the next weigh-in, and Chloe offers a pointer: “Pee first.” She learned it from Love Handles! We also learn that she and Trent told each other how much they actually weigh, and honestly? That’s completely awesome.

Next time: Amber and George may get busted! In the teaser, Amber pleads with Will: “I’m begging you, please don’t tell anyone!” to which my husband shouted: “Tell everyone!”

Much of the music I’ve chosen for these recaps comes from my teenage era, though the downside to having stubbornly obscure music tastes is that most of it does not exist on the internet today. I was very grateful to find this track on YouTube, as it was such an important song to me at the age of the kids on Huge. Liquorice’s Listening Cap was a one-off 4AD side project led by Jenny Toomey, who at the time was mostly known for her work with Tsunami. The song I’ve chosen here, “Cheap Cuts”, was a near-perfect description of a particular dalliance of my own, around that age: “I could make the diagnosis / I could conjure up a cure / I could yank the life support / on her illusion of allure.” It’s also available on iTunes, amazingly enough.

Love yourself, but not too much: Seventeen’s mixed message

By | August 9, 2010

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Body Peace Whatever Tonight’s episode of Huge will feature a scene related to Seventeen Magazine’s “Body Peace Project”, an effort launched in 2007 in collaboration with self-esteem guru Jess Weiner. The main thrust of the project seems to be the Body Peace Treaty, which can be read and electronically signed on Seventeen’s website. Signers of the treaty pledge to:

* Remember that the sun will still rise tomorrow even if I had one too many slices of pizza or an extra scoop of ice cream tonight.
* Stop joining in when my friends compare and trash their own bodies.
* Never allow a dirty look from someone else to influence how I feel about my appearance.
* Quit judging a person solely by how his or her body looks — even if it seems harmless — because I’d never want anyone to do that to me.
* Quiet that negative little voice in my head when it starts to say mean things about my body that I’d never tolerate anyone else saying about me.
* Remind myself that what you see isn’t always what you get on TV and in ads — it takes a lot of airbrushing, dieting, money, and work to look like that.
* Realize that the mirror can reflect only what’s on the surface of me, not who I am inside.

…and so on. You can read the whole thing here. The scene in Huge tonight will apparently involve some characters discussing and signing this pledge, and Hayley Hasselhoff, who plays Amber, will grace the pages of the new issue of the magazine, hitting newsstands tomorrow.

On the surface, it seems like a smart and responsible campaign. Body image issues can lead to all kinds of social problems, eating disorders, and lifelong struggles with low self esteem. These things are bad, and efforts to reach kids before they have fully internalized our culture of body loathing are not simply good ideas, but are absolutely necessary, for the health of future generations. What I cannot get over, however, is that this “Body Peace Treaty” is being pushed by Seventeen, one of the most visible and well-known proponents of the very perfection-seeking culture that produces impossible beauty standards and body hatred in the first place. This is like Joe Camel instructing you on the evils of cigarette smoking while simultaneously selling you cigarettes. It is incomprehensible.

It occurred to me, however, that maybe I’m behind the times. Maybe Seventeen has changed since the days in which it gave me a massive complex about my own prepubescent form. Being the fan of qualitative research that I am, I’ve collected the last six covers of Seventeen for the purposes of assessing how well they support the Body Love Treaty’s self-acceptance message. These covers have not been cherry-picked to make a point — they are the covers from February 2010 through July 2010 inclusive. Just in case my findings are not clear to everyone, I have marked them with an old-timey pointing hand. So let’s see the results.

February 2010

February 2010: “Get your hottest body! Your ultimate 2010 plan inside”

March 2010

March 2010: “Boost your bra size (in 1 month)”

April 2010

April 2010: “Get flat abs — fast!”

Special Prom Issue 2010

Prom Issue 2010: “Clear skin & flat abs by prom night!”

May 2010

May 2010: “Why can’t I stop gaining weight? Break your unhealthy habits forever”

June/July 2010

June/July 2010: “Get your best bikini body: The ultimate secret to a great butt, flat abs, and major confidence” Extra credit: “Read this now: The party drug that can make you fat and ugly”

It probably does not need to be emphasized, but I am going to say it anyway: These are not body-positive slogans. These are not ideas and suggestions intended to help girls accept themselves and disregard the intense cultural pressure to be slender, poreless, and large-busted. Rather, these are messages intended to reinforce that pressure, regardless of the harsh truth that not everyone is capable of looking that way. Possibly most disturbing is May 2010: “Why can’t I stop gaining weight? Break your unhealthy habits forever.” Though in some cases this may be true, weight gain is not universally caused by “unhealthy habits”. Sudden and unexpected weight gain can be a sign of an underlying health problem, certainly, though likely not one caused by an individual’s actions. More than that, this suggestion is sobering given the single most common cause of “weight gain” in Seventeen’s demographic of girls aged 12 to 19. The cause? Puberty. Seventeen would have girls attempt to stave off a process that is both normal and unavoidable. It is little wonder that so many women recall their body image problems beginning around the time that they began to develop breasts and hips — or, in Seventeen’s parlance, to “gain weight”.

As half-hearted “self-acceptance” rhetoric has become more of a trend in the selling of women’s self-esteem (thanks for kicking that off, Dove Campaign for Real Beauty) cognitive dissonance is inevitable. While making women feel good about themselves may create a positive association with a brand, ultimately magazines and the products they shill need women to feel inadequate so that they will be motivated to buy things to salve the inadequacy away, because people who are already contented with themselves and their lives are not constantly trying to buy happiness, or in this case, physical perfection. The resulting message is confusing and paradoxical: love yourself, even though you still aren’t pretty enough.

Seventeen’s Body Peace Project may yet do some good if it plants a seed in young women’s heads, and encourages them to question and criticize the media they consume. But in the end it rings hollow. If Seventeen truly believed in building the self esteem of women and girls, their covers and the content within would demonstrate that loud and clear, rather than seeking to exploit the low self esteem that their magazine has helped to create.

Originally posted on Fatshionista.com — comments still live over there.

Outfitblog.

By | August 7, 2010

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Booooorrriiinnnggggg

I don’t often post outfits during the summer because, frankly, my summer wardrobe is kind of boring. It’s a dress and a pair of shoes. Voilà! That’s pretty much how it goes every day. I took a picture on Friday afternoon anyway. Because it’s been awhile. What you’re seeing above is a Calvin Klein dress — originally $120+, I got it at Ross for $40, and it’s sort of insulting that anyone is expected to pay full price for this thing. It’s not even lined. What’s the $120 for? The label inside? The denim bolero is wicked old and from Lane Bryant. Yes, it is so old that it comes from a time in my life when Lane Bryant was carrying clothing I wanted to wear. The shoes are these oxfords by Report and are somewhat new. Or they would be if I hadn’t been wearing them pretty much every day since I got them.

So there you have it: boring summer outfit. Worry not, my loves, soon fall will descend upon us and I’ll be donning fifteen million layers again.